Games I Played in January 2022

Games

I was gifted a Backbone for Christmas, which is essentially a controller that attaches to your phone. Along with providing better controls when playing on my phone, the Backbone also came with a month of Xbox Gamepass, which has provided me access to a number of indie and small games that I might not have been able to play otherwise. It’s been a great month of games.

Pentiment is a narrative-driven adventure game from Obsidian Entertainment. Set in 16th century in the fictional town of Tassing, Bavaria, the game centers on Andreas Maler, an illuminator (artist) working at the local Abbey. When a murder of a prominent noble occurs, Andreas begins an investigation in the name of helping a friend. The player is able to wander around the town, interviewing various characters in an attempt to get at the truth — despite the fact that there never seems to be enough time and the answers seem hard to unravel.

Pentiment (2022, Obsidian Entertainment)

One of the many things that makes this game so compelling to me is how it presents various perspectives on the truth (eliminating any clear objectivity) and how it deals with the passage of time. As the title hints at (a pentiment is an underlying image or forms that have been painted over), the “truth” is often a layering of stories and time.

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Ten Things That Made My 2022

Games Development, Games Writing

Let me be real: 2022 was another tough year in a variety of ways that I won’t get into. Lately, I’ve been trying to focus on the things I’m grateful for, rather than dwelling on the negatives. So, please allow me to highlight some of the fantastic, wonderful, and exciting things that I experienced or discovered over this last year.

1. I completed two tiny video games — What Lies Underneath and Bluebeard: An Interactive Tale. Each I constructed with different game making tools, representing different kinds of gameplay and storytelling, and I am proud of the work I did on both.

2. . . . and all of that hard work paid off, since the games I made earlier in the year helped me snag my first freelance work in the games industry. I am currently working a contract writer for Lost Lake Games on a project I can tell you nothing about.

And I am also working with Patrick Knisely, a solo dev in charge of One Frog Games. Together, we are working on building the story, world, and scenes, which will be incorporated into the gameplay for a platforming game tentatively titled Monochrome Heights (play the demo).

3. I sold my fourth poetry chapbook, titled Necessary Poisons, which will be published by Interstellar Flight Press later this year. I’ve been working on this collection of strange little poems since 2016, and I’m so grateful and delighted that it has finally found a home. (A cover reveal and release date will be be coming soon.)

Continue reading on The Narrative Thread.

Games I Loved Playing in 2022

Games, Review

Over the past year or so, I’ve been trying to reach outside of my comfort zone and play a greater of variety of games. In addition to my usual RPG, puzzle platformer, and adventure games, this year, I also dipped my toes into the roguelike, community management, and simulation genres. Expanding in this way has led to some amazing discoveries in terms of gameplay and the ways in which games can tell stories — and I’ve found some new favorites along the way.

As of writing this, there are a couple of games I’m currently playing that might have made the list, if I was closer to completion, including Somerville and 2018’s God of War. They may just end up on next year’s list.

Continue reading on Once Upon the Weird…

Image of Twine cards with varying text, showing the connections and choice pathways between them

What I Learned Making My First Twine Game

Games Development, Games Writing

If you want to get into the profession of game development, the first thing folks in the industry will tell you is to start making games. Fortunately, there is an abundance of tools available for artists, designers, writers, and other creators to dive into the process and craft of making games. The first games you create don’t have to be perfect, nor do they even have to be good. The point is to just learn from your successes and failures, and then continue making games.

My journey into making games comes from my passion for storytelling. I’m fascinated by how games can create unique interactive narratives that cannot be experienced in a strictly linear format. When I thought about making my first game, I wanted to draw on my existing skills as a writer and create a text-based game built that allows the player to make choices as they move through the narrative. Hoping it will help other first-timers, here are a few of the lessons I learned on the journey of making my first game, Bluebeard: An Interactive Tale.

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Exit Veil Blends Horror, Science Fiction, and the Occult in a Dark New JRPG

Games, Journalism

Surreal labyrinthine dreamscapes filled with strange, ethereal entities await in Exit Veil, the latest game from Cherrymochi Studio. Recently announced through Kickstarter, the game is said to be a “darkly psychedelic JRPG” with a fully integrated tarot deck.

Cherrymochi is an independent game studio based near Tokyo, Japan. Founded in 2014 by Jon Williams (penname Imazato) and run by an international team of developers, the studio Kickstarter funded its first game, Tokyo Dark, which was launched in 2017. Presented with a 2D anime art style, Tokyo Dark is a mystery horror game that blends visual novel elements with a point-and-click adventure.

With Exit Veil, Cherrymochi is taking on an even more ambitious project, moving from 2D to 3D format and opening up the gameplay with RPG mechanics and turn-based combat. 

Continue reading on SUPERJUMP.